SKU: 75799478494
korg sp 250 pedal

korg sp 250 pedal KORG SP-250 88 Key professional Piano with stand and sustain pedal sto – Sulinda Music

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Description

korg sp 250 pedal KORG SP-250 88 Key professional Piano with stand and sustain pedal sto – Sulinda MusicGood condition and full working order. Comes with stand, pedal, PSU, book holder, user's manual. Also comes with height regulated adjustable stool. Tempo slider knob is missing. The slider works perfectly fine as intended. Video presentation: https: youtu. be FTrLz iIgRU Description Korg SP 250 60 note polyphonic, 2x 11watts, 30 sounds, reverb and chorus effects, layer function with individual volume control. Outputs: L R, 2x headphones, damper, MIDI

Good condition and full working order. Comes with stand, pedal, PSU, book holder, user's manual. Also comes with height-regulated adjustable stool.
Tempo slider knob is missing. The slider works perfectly fine as intended.

 

Video presentation:

https://youtu.be/FTrLz-iIgRU



Description

Korg SP-250 – 60 note polyphonic, 2x 11watts, 30 sounds, reverb and chorus effects, layer function with individual volume control. Outputs: L/R, 2x headphones, damper, MIDI (in/out). Includes keyboard stand, music stand, sustain pedal and power supply. Dimensions: 140 x 1295 x 380mm(HxWxD). Weight: 19kg. Colour: Black.

When you buy an acoustic piano, you don’t need to buy extras like headphones or damper pedals, so why should buying a digital piano be any different? The Korg SP-250 brings you the sound and feel of a real piano in a package that’s as complete as the real thing. You get a sturdy stand, built-in speakers, and even an integrated damper pedal right out of the box. Oh yeah, and you get an amazingly realistic, stereo sampled piano sound and an 88-key keyboard that feels like its attached to an instrument at Carnegie Hall. Whether you’re a novice looking for a keyboard to learn on, or an old hat who needs a compact piano, the SP-250 will have you up and playing right out of the box.

Everything You Need Is Included

The Korg SP-250 may just be the most complete digital piano package you can get. Included is, among other things, a sturdy and robust stand. Don’t go sitting your keyboard atop the dining room table or your desk; after all, what good is a compact keyboard if it just uses up more work space? The SP-250’s stand is not only robust, but because it was designed only for the keyboard it comes with, you know it’s going to be the very best fit, with no wobbling or tipping. Another feature that’s optional for most keyboards in this price range, but standard for the SP-250, is the included damper pedal. This pedal gives you access to realistic acoustic piano damping action, adding to the realism and expressiveness of this instrument. The pedal even attaches securely to the integrated stand, so it won’t slide back and forth when you’re playing. Add to this Korg’s built-in, powerful, full range speaker system, and you’ve got a complete digital piano package, ready to play right out of the box.

Detailed, Realistic Piano Reproduction

Those speakers sport enough power (11 watts each) and range (bass-reflex port for extended low-end) to faithfully reproduce the inspiring, stereo sampled piano sounds on the SP-250. Korg sampled a perfectly tuned piano in true stereo, from a variety of different mic placements for a palette of beautiful piano sounds to make any keyboardist–or engineer, for that matter–envious. In particular, the samples on the Korg are longer in length than just about any other keyboard in this class, meaning slow, emotive passages are even more dramatic, full, and authentic, with no audible loop splicing to spoil the atmosphere. The SP-250 also boasts a number of additional instrument voices, including electric piano sounds, pipe organs, blues organs, mallet percussion, and orchestral sounds. Whether you’re playing your SP-250 in a worship service, a jazz trio, or at cocktail hour, you’ll have the appropriate sound at your disposal. There’s even effects like reverb and chorusing built-in, to enhance your favorite instrument sounds, and if you’re feeling really experimental, check out the instrument layering function.

Experiences Korg’s Third-Generation Weighted Keyboard

Adding to the real-piano experience afforded by the SP-250’s realistic piano sound is Korg’s RH3 weighted-action keyboard. This latest refinement of the “Real Hammer” mechanism, the RH3 keys are weighted differently depending on where they are in the keyboard’s range, emulating the subtle variations in action of an acoustic piano’s keyboard. Folks used to playing on an acoustic instrument will appreciate the quick response and familiar feel of the RH3 keys, while new players will be getting the accurate piano experience they’ll need to be comfortable on the real thing later on. Not only are the keys on the SP-250 substantial and responsive, but their sensitivity range can be adjusted to suit the player. . . try doing that on a real piano!

The Perfect Practice Partner

The SP-250 offers plenty of extras to make practice more efficient, whether you’re rehearsing by yourself or with a private instructor. A flexible metronome is on board with an intuitive slider for tempo adjustment. You get two headphone outputs for student and teacher, and a transpose function to play along with your favorite songs, even if you’re not sure what key they’re in. Of course, nothing will improve your playing more than more playing, and nothing will inspire you to play more than a digital piano that sounds and feels as good as the Korg SP-250.

Korg brings a heightened level of realism and feel to its line of portable stage pianos with the new SP-250.The SP-250 provides an expanded range of expression and performance with an outstanding new stereo piano sound, which is matched to a third-generation RH3 graded action keyboard. The SP-250 Stage Piano is the perfect answer for any pianist looking for rich piano sounds and the convenience of a lightweight, portable instrument.

Superb Piano Sound

The robust sound of a concert grand piano has been carefully and lavishly sampled for the SP-250. Differences in playing dynamics and position in the stereo field have been faithfully captured, delivering naturally expressive piano sounds that recreate every detail. The SP-250’s all-new piano samples are longer than other pianos in its class. Increased length means the piano sound sustains more naturally, so the piano sounds more real throughout the performance, not just at the attack. Three versions of this wonderful piano sound are provided to cover different tastes and genre needs. To round out the piano offerings, the SP-250 also features a vintage electric grand sound, as well as an authentic honky-tonk piano.

Grand Piano Playing Experience

The SP-250 is the first Korg stage piano to feature the all new RH3 real weighted hammer action. This state-of-the-art key mechanism features differing key weights in each register of the keyboard, delivering the same playing experience as a grand piano. The keyboard is exceptionally responsive, even when playing quickly repeated figures, to preserve every expressive nuance of the performer. The Key Touch Control provides three selectable touch curves, delivering the perfect touch sensitivity for every playing style or type of song. Yet even with such a robust keyboard, the SP-250 weighs less than 42 pounds (19 kg.).

A Wide Palette of Sounds

In addition to its remarkable new piano sound, the SP-250 includes a rich array of sounds that will extend your performance possibilities. An assortment of classic electric pianos (reed and tine styles), church and jazz organs, string and choir sounds, harpsichord and clav(s), even mallet percussion and guitar sounds are available at the touch of a button. Two sounds can be layered together to play simultaneously; and of course you can adjust the balance to get the perfect blend. To help you audition the sounds 30 demonstration songs ranging from classics to originals are built in, showing off all the sounds in a variety of musical genres.

Dual Effects

To further enhance the sound, the SP-250 provides both a Reverb effect that recreates the spaciousness of a concert hall, and a Chorus effect that adds a colorful depth to the sound. The effects settings have been optimized for each individual sound and the user can choose from three levels – Light, Normal and Deep – to complement his or her performance.

Style and Versatility

The chic black design is highlighted by metal and wood-grain accents, with a solid music rack included that mounts in seconds. The control panel is simple and easy-to-use and includes 19 LED indicators for instant visual feedback. The SP-250 is perfect for those who appreciate quality in both sound and design.

Full Range Sound System

The SP-250 contains a custom system featuring two 10 cm dual-cone speakers matched to a pair of 11W amplifiers that beautifully reproduces its rich sounds. The bass-reflex speaker system ensures that every bit of the deep resonances distinctive to a great piano will be heard.

Stand and Pedal Included

The SP-250 includes a high-quality damper pedal that is so important for proper piano performance. It provides the ultimate expressive control thanks to half-pedaling, which is a variable damping effect based on how deep you press the pedal, rather than the simple on/off switch found on cheaper instruments. The dedicated stand is both simple and stylish, and fits securely into a recessed area in the bottom of the piano providing a remarkably solid feel. The stand’s lower crossbar even prevents the pedal from ‘creeping’ forward in performance. Best of all, the SP-250 can be easily removed from the stand for moving and taking around for live performances.

Convenient Features

Two headphones can be connected simultaneously, for student and teacher use or family enjoyment. Thanks to stereo outputs, you can listen to the sounds of the SP-250 through external speakers, great for professional performances, schools and places of worship, and for recording purposes. MIDI In/Out jacks connect the SP-250 to a synthesizer or other MIDI-equipped device (computer/sequencer) allowing the SP-250 to be used as both a master keyboard and a 16-part multitimbral sound module for performance and composition.

The Key Transpose function lets you shift the pitch of the instrument to match the key of a singer, or to play along with your favorite CDs. An onboard Metronome is convenient for practicing. You can add an accent to the first beat (with normal or bell sounds), and adjust its volume. There’s also a dedicated slider for easy adjustment of the tempo.

In addition to equal temperament, the SP-250 provides the two most common Baroque and Classical era tunings (Kirnberger and Werckmeister) for historically-accurate performances.

Technical Info

Keyboard: 88 notes, Real Weighted Hammer Action 3 keyboard

Touch Control: Light, Normal, Heavy

Sound Generation: Stereo Sampling System

Polyphony: 60 notes maximum

Programs: 30 sounds (5 Pianos, 7 Electric Pianos, Harpsichord, 2 Clavs, Vibraphone, Marimba, Acoustic Guitar, 3 Jazz Organs, 3 Church Organs, 3 Strings, 3 Choirs) Two Programs can be layered

Effects: Reverb, Chorus (3 levels each)

Demo: 30 songs (10 songs in 3 banks)

Sound System:

2 Dual Cone Speakers (2 x 10 cm) with bass-reflex speaker box

2 x 11 Watt

Tuning: Key Transpose, Fine Tuning, Temperament (Equal, Kirnberger, Werkmeister)

Pedal: Damper (included). Half-pedaling supported

Metronome: Tempo, Time Signature, Accent and Volume controls

Power Supply: DC 12V (External AC adapter) 3.5A

Power Consumption: 42 Watts

Dimensions (WxDxH): 50.98 x 14.96 x 5.51 in. (1,295 x 380 x 140 mm) main unit only, not including stand

Weight: 41.89 lbs. (19 kg) main unit only, not including stand.

Accessories (Included): Stand, Music rest, Sustain pedal, AC adapter (see above for complete list)

Sound processed by INFINITY.

 

 

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Y. Teperman
West Palm Beach, US
★★★★★ 5
Properly intellectual, and both demanding and rewarding as such
Format: Paperback
Anyone who plans to read this book is likely to know its premise already, so, I will not spend time or effort to recap it. All I can say is that the way the book is more eloquent, is altogether smarter, and more beautifully written than I expected. This is a true intellectual treat written with proper intellectual verve. So, no conspiracy theorists, or the simpleton believers in ancient aliens need not apply. If, however, you achieved a proper academic attainment - got your Masters or PhD and enjoy intellectual stimulation, this is a rare gem, to be digested slowly and deliberately, as no similar book is to be encountered any time soon. In other words, just a great book, presenting fascinating thoughts. It does not need anyone’s endorsement, as it is already a well-known entity within its field, yet, here it is – very heartily recommend!
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Reviewed in the United States on June 5, 2017
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Amazon Customer
Charlottesville, US
★★★★★ 5
Get it before it goes back out of print!
Format: Paperback
This book sat on my wish list for years while the price hovered just a bit too high for my liking. My patience has been rewarded with a back in print price that makes getting it a no-brainer. That said, I can't say I believe the main theory of this book, but it is a good start and an enjoyable read regardless. It seems to me that authors feel a need to propound an overarching and impossible-to-prove theory, in order to write some comparative mythology. I was brought to this book a long time ago after reading Charles Hapgood's Map of ancient Sea Kings. Another good author in the same vein is Gavin White, who wrote Babalonian Star Lore and several others.
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Reviewed in the United States on February 16, 2018
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Howzat
Battle Creek, US
★★★★★ 5
I'm rereading the book. It's great!
The idea of progress is a relatively knew idea within the history of humans. The idea of progress is fundamental to the ideas of Capitalism and economic growth. Many Americans blindly believe that of progress, economic growth, and Capitalism are leading to the betterment of humans. If one carefully reads the IPCC's Fifth Assessment Report, it states that CO2 (and other greenhouse gasses) emissions are driving global warming and thus climate change. That report also says that economic growth and population growth are driving those emissions. Climate change is one of the "progress traps" Wright is talking about. Progress does not inexorably lead to the betterment of humans. Nor do growth economies, including Capitalism. Wright helps readers see the big pictures of how humans have interacted with the Earth in ways that destroy civilizations and threatens to ruin our host, Earth. The Myth of Progress by Tom Wessells is another good book about progress.
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Reviewed in the United States on December 24, 2018
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David S. Rush
Lexington, US
★★★★★ 4
Each time history repeats itself, the price goes up
What is the difference between our 21st century global civilization, the ancient Sumerians, the Easter Islanders of Cook's day, empirical Rome, or the Maya civilization. Answer, not much. The last four are all societies that had their heyday, become stuck in a paradigm, and then brought ecological disaster on themselves via overpopulation and over exploitation of natural resources. "Each time history repeats itself, the price goes up", Wrights quotes from some pertinent graffiti. The cost this time could be in the billions of souls. This a short book 132 pages of actual text with another 68 or so of footnotes at the end. It is a mad rush through human history exploring the collapse of those civilizations and a couple that have been more sustainable. Wright also explores the traps of progress. That is mankind becomes so good at hunting he drives his food source into extinction. Then we become so proficient at an irrigation technology we ruin the land. We become so good at weapons we create bombs that could ruin the whole world. As a race, he contends, we seem to push every technology to the brink, to our collective woe. I read with highlighter in hand. I had to restrain myself for marking whole long sections. As it is, the book now has a pink glow. Several pages have yellow tabs so I can find passages easily again. One such passage from the book summarizes it for me: "The human inability to foresee - or to watch out for - long-range consequences may be inherent to our kind, shaped by the millions of years when we lived from hand to mouth by hunting and gathering. It may also be little more than a mix of inertia, greed, and foolishness encouraged by the shape of the social pyramid. The concentration of power at the top of large-scale societies gives the elite a vested interest in the status quo; they continue to prosper in darkening times long after the environment and general populace begin to suffer." I remember as a biology major we studied the boom and bust cycle of animal populations. It was suggested in class that the human animal could follow the same cycle. The professor dismissed the idea, but not so Wright. He sees us at the high point in a few years, then the collapse unless we act now. One other passage really struck home with me: "The idea that the world must be run by the stock market is as mad as any other fundamentalist delusion, Islamic, Christian, or Marxist." That tears at the very sand we have our society built on. The sheer pace of Wright's march through history mirrors the author's urgency about how long we have to act to save our society. The countdown has already begun. The question remains, do we have the gumption to take the necessary action. The book is at its heart liberal, and rightly so. Any possible solution to forestall the potential social collapse will not be from the top of the pyramid. They long ago seemed to have forgotten the concept of usufruct; we are just borrowing this planet from our children and grandchildren. Wright holds out a glimmer of hope, but the candle is flickering.
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Reviewed in the United States on January 21, 2010
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Richard Reese (author of Understanding Sustainability)
Fort Morgan, US
★★★★★ 5
A short book loaded with sharp insights
Every year, Canadians eagerly huddle around their radios to listen to the Massey Lectures, broadcast by the CBC. For the 2004 season, Ronald Wright was the honored speaker. He presented a series of five lectures, titled A Short History of Progress. In 2005, Wright's presentation was published as a short book, and it became a bestseller. Martin Scorsese's movie, Surviving Progress, was based on the book. It was an amazing success for a story contrary to our most holy cultural myths. Wright believed that the benefits of progress were highly overrated, because of their huge costs. Indeed, progress was approaching the point of becoming a serious threat to the existence of humankind. "This new century will not grow very old before we enter an age of chaos and collapse that will dwarf all the dark ages in our past." He pointed out that the world was dotted with the ruins of ancient crash sites, civilizations that self-destructed. At each of these wrecks, modern science can, in essence, retrieve the "black box," and discover why the mighty society crashed and burned. There is a clear pattern. Each one crashed because it destroyed what it depended on for its survival. Wright takes us on a quick tour of the collapse of Sumer, Easter Island, the Roman Empire, and the Mayans. He explains why the two oddballs, China and Egypt, are taking longer than average to self-destruct. The fatal defects of agriculture and civilization are old news for the folks who have been paying attention. It has become customary for these folks to believe that "The Fall" took place when humans began to domesticate plants and animals. Wright thinks the truth is more complicated. What makes this book unique and provocative is his notion of progress traps. The benefits of innovation often encourage society to live in a new way, while burning the bridges behind them as they advance. Society can find itself trapped in an unsustainable way of living, and it's no longer possible to just turn around and painlessly return to a simpler mode. Like today, we know that the temporary bubble of cheap energy is about over, and our entire way of life is dependent on cheap energy. We're trapped. Some types of progress do not disrupt the balance of the ecosystem, like using a rock to crack nuts. But our ability to stand upright freed our hands for working with tools and weapons, which launched a million year process of experimentation and innovation that gradually snowballed over time. We tend to assume that during the long era of hunting and gathering our ancestors were as mindful as the few hunting cultures that managed to survive on the fringes into the twentieth century. But in earlier eras, when big game was abundant, wise stewardship was not mandatory. Sloppy tribes could survive -- for a while. Before they got horses, Indians of the American west would drive herds of buffalo off cliffs, killing many at a time. They took what they needed, and left the rest for legions of scavengers. One site in Colorado contained the carcasses of 152 buffalo. A trader in the northern Rockies witnessed about 250 buffalo being killed at one time. Wright mentioned two Upper Paleolithic sites I had not heard of -- 1,000 mammoth skeletons were found at Piedmont in the Czech Republic, and the remains of over 100,000 horses were found at Solutré in France. Over time, progress perfected our hunting systems. Our supply of high-quality food seemed to be infinite. It was our first experience of prosperity and leisure. Folks had time to take their paint sets into caves and do gorgeous portraits of the animals they lived with, venerated, killed, and ate. Naturally, our population grew. More babies grew up to be hunters, and the availability of game eventually decreased. The grand era of cave painting ended, and we began hunting rabbits. We depleted species after species, unconsciously gliding into our first serious progress trap. Some groups scrambled to find alternatives, foraging around beaches, estuaries, wetlands, and bogs. Some learned how to reap the tiny seeds of wild grasses. By and by, the end of the hunting way of life came into view, about 10,000 years ago. "They lived high for a while, then starved." Having destroyed the abundant game, it was impossible to return to simpler living. This was a progress trap, and it led directly into a far more dangerous progress trap, the domestication of plants and animals. Agriculture and civilization were accidents, and they threw open the gateway to 10,000 years of monotony, drudgery, misery, and ecocide. Wright says that civilization is a pyramid scheme; we live today at the expense of those who come after us. For most of human history, the rate of progress was so slow that it was usually invisible. But the last six or seven generations have been blindsided by a typhoon of explosive change. Progress had a habit of giving birth to problems that could only be solved by more progress. Progress was the most diabolically wicked curse that you could ever imagine. Maybe we should turn it into an insulting obscenity: "progress you!" Climate scientists have created models showing weather trends over the last 250,000 years, based on ice cores. Agriculture probably didn't start earlier because climate trends were unstable. Big swings could take place over the course of decades. In the last 10,000 years, the climate has been unusually stable. A return to instability will make civilization impossible. Joseph Tainter studied how civilizations collapse, and he described three highways to disaster: the Runaway Train (out-of-control problems), the Dinosaur (indifference to dangers), and the House of Cards (irreversible disintegration). He predicted that the next collapse would be global in scale. Finally, the solution: "The reform that is needed is... simply the transition from short-term thinking to long-term." Can we do it? We are quite clever, but seldom wise, according to Wright. Ordinary animals, like our ancestors, had no need for long-term thinking, because life was always lived in the here and now. "Free Beer Tomorrow" reads the flashing neon sign on the tavern, but we never exist in tomorrow. The great news is that we now possess a mountain of black boxes. For the first time in the human journey, a growing number of people comprehend our great mistakes, and are capable of envisioning a new path that eventually abandons our embarrassing boo-boos forever. All the old barriers to wisdom and healing have been swept away (in theory). Everywhere you look these days; people are stumbling around staring at tiny screens and furiously typing -- eagerly communicating with world experts, engaging in profound discussions, watching videos rich with illuminating information, and reading the works of green visionaries. It's a magnificent sight to behold -- the best is yet to come! Richard Adrian Reese Author of What Is Sustainable
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 20, 2013

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